Air - Moon Safari
Massive Attack - Mezzanine
Madonna - Ray Of Light
Lauryn Hill - The Miseducation of Lauryn Hill
Beastie Boys - Hello Nasty
Beck - Mutations
Belle & Sebastian - The Boy With The Arab Strap
Smashing Pumpkins - Adore
FatBoy Slim - You've Come A Long Way Baby
Finally looks like an album I really like will win. Bon jouer mes Francophile amis!
On that note, I better keep it French-oriented by giving the silver medal to Manu Chao's Clandestino, with bronze going to Manau (no relation to Chao I don't think) and Panique Celtique, the album that delighted those long-hoping for a hybrid of Alan Stivell and MC Solaar to come along. Yes, 'breton-harp hip-hop' does exist.
Some great imagery on that album. "Egyptian pharaohs fell from the sky, fell from the sky, and played the blues."
Last edited by Pauro 76; 22/08/2008 at 2:18 PM.
'Fascists dress in black and go round telling people what to do, where as priests.....'
The year of the Fatboy. YCALWB will, in years to come, be elevated to and spoken of in the company of records like Dark Side of the Moon, Electric Ladyland, White Album. Oh ...and I STILL don't like Praise You. Sounds like something Bobby feckin Gillespie would come up with.
Other favourites of mine from 1998 are Under the Great Western Freeway by Grandaddy, Four Lads who shook the Wirral by HMHB and Hellbilly Deluxe by Rob Zombie.
" I wish to God that someone would be able to block out the voices in my head for five minutes, the voices that scream, over and over again: "Why do they come to me to die?"
went for fatboy slim on the basis that there isn't an "other" option. Metallicas garage inc ablum would have been my no.1 choice with there version of whiskey in the jar being my favourite song on it.
One of my favourite LPs of the year as well Terry. I didn't list it as there's no "new" music as such on it. Great record all the same though.
Some one mentioned 98 being a bad year for the music due to the emergence of the Britneys and Christinas ...I think those high-gloss production pop acts had always been about in numbers but something almost sinister did happen in terms of their being touted by the so called alternative/legitimate/serious music press.
Robbie Williams, I remember in particular, had his entire career quite unscrupulously re-evaluated by the NMEs, MMs, Qs, HPs to portray him as a frustrated rebel -trapped in a the straightjacket of mainstream pop in TT but now emerging as some sort of Bowie-esque genius -redeemed and forgiven because he hung out with Oasis for a night.
" I wish to God that someone would be able to block out the voices in my head for five minutes, the voices that scream, over and over again: "Why do they come to me to die?"
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