I enjoyed it on the whole. Didn't learn anything new but it was well put together.
Looking forward to the clash and nirvana weeks. Hopefully coldplay don't get too much of a mention in the last part because the show will lose all credibilty.....
I thought it was a bit soapy in places and some of the " end of an era" type rhetoric was done to death. I also noticed a lot of rehashed interview and commentary footage from those around him (Beck, Clapton for example) that was lifted directly from existing programmes and had no "speaking in 1981" type tag on it. That's a bit annoying.
Also -if you're going to get supposed "experts" to talk about a given musicians life and death -it'd be handy to get one who knows that Jimi Hendrix died BEFORE Janis Joplin and Jim Morrison -not after as one of them claimed last night.
Finally -that there wasn't a quip out of his bandmates Mitch Mitchell and the late Noel Redding suggests Experience Hendrix Inc. had their revisionist paws all over it.
" I wish to God that someone would be able to block out the voices in my head for five minutes, the voices that scream, over and over again: "Why do they come to me to die?"
I enjoyed it on the whole. Didn't learn anything new but it was well put together.
Looking forward to the clash and nirvana weeks. Hopefully coldplay don't get too much of a mention in the last part because the show will lose all credibilty.....
"If God had meant football to be played in the air, he'd have put grass in the sky." Brian Clough.
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I don't think things ended too well between Noel Redding and Jimi.
I think its well documented that Jimi was never very receptive to any Noel Redding songs appearing on the "Experience" albums - I think "Little Miss Strange" on Electric Ladyland was the grudging exception.
I think the programme did serve as a reminder that Hendrix was a genuine and influential talent.
How cool was covering "Sgt Peppers Lonely Heartsclub Band" at a gig the day after its release?![]()
Quoting years at random since 1975
iron maiden, black sabbath, judas priest, motley crue, metallica. sounds like they got this one right.
I'm a bloke,I'm an ocker
And I really love your knockers,I'm a labourer by day,
I **** up all me pay,Watching footy on TV,
Just feed me more VB,Just pour my beer,And get my smokes, And go away
The Slits were forefront in dub/mock reggae (Wagga)
Yardbirds?
Dire Straits big in their day, start of arena rock scene
Motley Crue, while GNR were big in Europe MC ruled the US, seriously out selling GNR in records and live sales.
Loads of bands missing but you can't do them all:
But missing:
The Jam
CSNY
Sisters of Mercy (Goth scene totally ignored)
Big Black
We are Football
And AC/DC! The most criminal omission of all?![]()
First one not too bad though, as these things go. Learned a couple of things, the balls of steel Sgt. Pepper cover, and the fact he was doing Hey Joe the night Chas Chandler went to see him to see if he'd be the man to do Hey Joe! And the fact Jeff Beck thinks he'd have been every bit as good as Hendrix if he wasn't English!![]()
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Extratime.ie
Yo te quiero, mi querida. Sin tus besos, yo soy nada.
Abri o portão de ouro, da maquina do tempo.
Mi mamá me hizo guapo, listo y antimadridista.
Thought that too ...but seriously it was footage like that -and the Clapton interview that had me shaking my head -both straight lifts from 'The Rock & Roll Years' I think it was. Likewise the Townsend footage.
Hadn't seen the Daltrey commentary before and it was obviously more recent.
That and another one called 'She's So Fine' I think. While that was something of a sore point with them I don't get the impression it's what led to Reddings departure and he maintained himself and Hendrix never actually fell out.Originally Posted by Wolfie
He has a fantastic book 'Are You Experienced' which goes into the thing (from his perspective of course) where he felt they were being worked like dogs but weren't getting paid unless they bitched and bitched -at which point some cash would be miraculously produced to shut them up when they'd previously been told there was nothing in the kitty.
I think he realised relatively early -that is -earlier than Hendrix and WAY earlier than Mitchell that monies due to them were being siphoned by an intriquette web of managment companies.
Himself and Mitch Mitchell were royally screwed -Not by Hendrix himself -but by their managment, their record labels and by the intitution now known as Experience Hendrix Inc.
" I wish to God that someone would be able to block out the voices in my head for five minutes, the voices that scream, over and over again: "Why do they come to me to die?"
Last nights show was better in several ways to the Hendrix one. Some of the Floyd footage was fantastic and there were more up to date commentaries from people involved.
I would say though that Pink Floyd AND David Bowie probably deserve a program each as stand alones ala the Hendrix show -though the Velvet Underground tie in was interesting and relevant to both.
It's probably down to my own personal taste so subjectivity can't be avoided -but I didn't get the major relevance of the Genesis and particularly Roxy Music tie in. But neither of those two figure hugely in my own personal History of Rock'n'roll.
All in all -I'm not too disappointed I'll be missing the "punk" one next week as I reckon it'll be sketchy and fairly Sky One in it's appraisal.
Also -that Murray character is very suspect in his contributions (he's the guy who got his dates arseways last week with the deaths of Hendrix/Joplin/Morrison.
Last edited by Lionel Ritchie; 27/05/2007 at 9:52 AM.
" I wish to God that someone would be able to block out the voices in my head for five minutes, the voices that scream, over and over again: "Why do they come to me to die?"
seen this show tonite for the first time, and thats exactly what struck me as well, i mean you dont naturally think of roxy music and genesis as rock legends etc
but i am looking forward to next week, since im a massive punk fan, but i just know im going to be dissapointed...........
SLF? would be a real treat but i doubt it
It's because I'm a massive punk fan I'm relatively happy to miss it.
Among the inaccuracies, myths and general sloppiness to be regurgetated there will probably be...
*punk was a direct response to and indeed was caused by "prog rock". Yes will be mentioned, Can too - if they try to be really cool and over-paint the percieved contextual background.
*Pink Floyd will be the main villians and the success of Dark Side of the Moon will be trumped as the final straw and some sort of rallying call "to a generation of angry disaffected youth with their own look and their own sound."
*That Pink Floyds Nick Mason produced early singles by The Damned (and several other punk bands) will NOT be mentioned.
That punk rock on either side of the atlantic were two completley different animals that evolved within a different set of circumstances will probably NOT be mentioned or will be dealt with in a ham-fisted manner.
" I wish to God that someone would be able to block out the voices in my head for five minutes, the voices that scream, over and over again: "Why do they come to me to die?"
Bowie definitely. There was nowhere near enough about him. Though I'm sure it's cos with the program format they were trying only those two years fit in with the art rock crap.
They also left out a huge chunk of Pink Floyd stuff from the mid-seventies. Seens a bit odd.
Extratime.ie
Yo te quiero, mi querida. Sin tus besos, yo soy nada.
Abri o portão de ouro, da maquina do tempo.
Mi mamá me hizo guapo, listo y antimadridista.
Again, yep, a bit patchy and random but a more interesting show to me, or at least more informative as there were a few bands I've never been that much into, namely Pink Floyd and Genesis.
Agree too about Charles Shaar Murray and his freewheeling approach to facts. Which is odd because do I remember rightly that he was considered to be some kind of paragon in the rock journalism world a few years back? Sort of the Con Houlihan of the music hacks?
Anyway, if for nothing else this episode was worth it for two things - Roxy playing pretty much the whole of 'Virginia Plain', and the Peter Gabriel story about him coming out on stage in the scarlet evening gown and huge fox head and not telling the band about it! Was still laughing about that this morning thinking of the bandmates' reactions.![]()
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Just back from Bartha-lona.
So what was the verdict on the punk show?
" I wish to God that someone would be able to block out the voices in my head for five minutes, the voices that scream, over and over again: "Why do they come to me to die?"
Basically it only scratched the surface of it. At least they acknowledged the existance of American punk bands, because a lot of British programmes of this type try to make it appear that punk was 100% British.
Saw last nights show from Iron Maiden onwards. I'm guessing I missed little enough (a reference to Sheffield suggests there was some of Def Leppards muck being aired earlier).
Maiden and Priest stuff was interesting even if heavily re-hashed in the latter case.
Motley Crue mean less than nothing to me so they could've interchanged Poison or Faster Pussycat and I'd not have noticed or cared so long as they dispensed with them as quickly as possible.
Metallica I was interested in -but their whole genre was dealt with in very broad strokes. No mention at all of Anthrax or Slayer -so the only context you were given was that they didn't wear high heels and make up like Crue. Interviews with Hetfield and Ulrich were lifted straight from V-H1s recent 'Rise of Heavy Metal' (title???)
So that left us with only lord god almighty himself Bob Rock and his quest to get Metallica to make a Guns'N'Roses record.![]()
" I wish to God that someone would be able to block out the voices in my head for five minutes, the voices that scream, over and over again: "Why do they come to me to die?"
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