See you and raise you The Monkees 1987 comeback jaw-dropper "That Was Then This Is Now".
http://www.youtube.com/watch?v=n32SmW3x57k
" I wish to God that someone would be able to block out the voices in my head for five minutes, the voices that scream, over and over again: "Why do they come to me to die?"
OK, that was bad. Couldn't make it past about 30 seconds.
But it was The Monkees. So, um, what did you expect?
Ernold Same by Blur
TO TELL THE TRUTH IS REVOLUTIONARY
The ONLY foot.ie user with a type of logic named after them!
All of this has happened before. All of it will happen again.
Dig For Fire by Pixies, Femme Fetale by Velvet Underground & Nico
TO TELL THE TRUTH IS REVOLUTIONARY
The ONLY foot.ie user with a type of logic named after them!
All of this has happened before. All of it will happen again.
Isn't Sandinista version just a version re-done by someone else though?
It doesn't really count so.
City definetly have the best bands playing at half-time.
O'Bama - "Eerah yeah, I'd say we can alright!"
G.O'Mahoney Trapattoni'll sort ém out!!
U2 - Still havent found what Im looking for
Oasis - Little James (enough said)
Radiohead - Karma Police
Blur - MOR
Ya, as crap as Little James is, I'm still unconvinced asto any competitors to Kokomo?
City definetly have the best bands playing at half-time.
O'Bama - "Eerah yeah, I'd say we can alright!"
G.O'Mahoney Trapattoni'll sort ém out!!
Happy Mondays - Monkey in the Family
2nd track on the majorly disappointing "Yes Please" Album.
The lyrics on this track were strongest indication that the superhuman quantities of "Rock" (crack cocaine) that Shaun Ryder was putting away during the recording of the album was no exaggeration.
They'd become a drug band with a music habit.
Quoting years at random since 1975
Jesus how did I forget about "How Can I Protect You" by Alabama 3 (featuring vile sample from vile Aslans vile 'Crazy World').
I love A3 but man they deserve a good kicking for that.
" I wish to God that someone would be able to block out the voices in my head for five minutes, the voices that scream, over and over again: "Why do they come to me to die?"
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